Sunday, March 17, 2019

My favorite rom-coms of all time (and some I unbelievably have yet to see)

I'm an admittedly big fan of romantic comedies, so when Entertainment Weekly recently had a special rom-com issue, I was a little shocked at some of the titles I've either neglected to see or forgotten whether I've seen over the years.

So here is both a ranking of my favorite rom-coms of all time and, to start it off, a list of titles I need to either watch or rewatch so I can accurately place them in the list in the future.

Rom-coms high on my list to watch:
Love, Simon (2018)
She's Gotta Have It (2017)
Maggie's Plan (2016)
Sleeping With Other People (2015)
Man Up (2015)
What If (2014)
Top Five (2014)
Don Jon (2013)
Your Sister's Sister (2012)
Ruby Sparks (2012)
The Five-Year Engagement (2012)
Italian for Beginners (2001)
Notting Hill (1999)
An Ideal Husband (1999)
My Best Friend's Wedding (1997)
Picture Perfect (1997)
In & Out (1997)
Emma (1996)
Four Weddings and a Funeral (1994)
Boomerang (1992)
Doc Hollywood (1991)
Pretty Woman (1990)
Coming to America (1988)
Mannequin (1987)
The Princess Bride (1987)
Moonstruck (1987)
The Sure Thing (1985)
The Apartment (1960)
Some Like It Hot (1959)
Indiscreet (1958)
Love in the Afternoon (1957)
The Seven Year Itch (1955)
How to Marry a Millionaire (1953)
Roman Holiday (1953)
Adam's Rib (1949)
The Lady Eve (1941)
The Philadelphia Story (1940)
The Shop Around the Corner (1940)
His Girl Friday (1940)
Ninotchka (1939)
Holiday (1938)
Bringing Up Baby (1938)
The Awful Truth (1937)
My Man Godfrey (1936)
It Happened One Night (1934)
City Lights (1931)

My list:
84. Friends With Benefits (2011)
83. Along Came Polly (2004)
82. Serendipity (2001)
81. Benny & Joon (1993)
80. Waitress (2007)
79. Mighty Aphrodite (1995)
78. The Incredible Jessica James (2017)
77. Working Girl (1988)
76. Nick & Norah's Infinite Playlist (2008)
75. Valley Girl (1983)
74. Extract (2009)
73. Enough Said (2013)
72. All About Steve (2009)
71. LA Story (1991)
70. Obvious Child (2014)
69. Splash (1984)
68. Roxanne (1987)
67. Silver Linings Playbook (2012)
66. As Good As It Gets (1997)
65. The Object of My Affection (1998)
64. Some Kind of Wonderful (1987)
63. The American President (1995)
62. Amelie (2001)
61. Kissing Jessica Stein (2002)
60. 10 Things I Hate About You (1999)
59. You've Got Mail (1998)
58. Clueless (1995)
57. Hannah and Her Sisters (1986)
56. Kicking and Screaming (1995)
55. Crazy, Stupid, Love. (2011)
54. Punch Drunk Love (2002)
53. Bridget Jones's Diary (2001)
52. Miss Congeniality (2000)
51. Pretty in Pink (1986)
50. 500 Days of Summer (2009)
49. La La Land (2016)
48. She's the One (1996)
47. Breakfast at Tiffany's (1961)
46. Forgetting Sarah Marshall (2008)
45. Dave (1993)
44. Crazy Rich Asians (2018)
43. Juno (2007)
42. Arthur (1981)
41. The 40 Year Old Virgin (2005)
40. The Importance of Being Earnest (1955)
39. Chasing Amy (1997)
38. My Big Fat Greek Wedding (2002)
37. Broadcast News (1987)
36. 50 First Dates (2004)
35. About a Boy (2002)
34. Bull Durham (1988)
33. Keeping the Faith (2000)
32. Knocked Up (2007)
31. Bring It On (2000)
30. Groundhog Day (1993)
29. Jerry Maguire (1996)
28. The Graduate (1967)
27. Sleepless in Seattle (1993)
26. Shakespeare in Love (1998)
25. Music and Lyrics (2007)
24. Sixteen Candles (1984)
23. There's Something About Mary (1998)
22. Adventureland (2009)
21. Mr. Jealousy (1997)
20. The Big Sick (2017)
19. Wedding Crashers (2005)
18. Bridesmaids (2011)
17. The Brothers McMullen (1995)
16. When Harry Met Sally (1989)
15. Love Actually (2003)
14. Manhattan (1979)
13. Lost in Translation (2003)
12. Rushmore (1998)
11. Cold Comfort Farm (1996)
10. Grease (1978)
09. Reality Bites (1993)
08. Singles (1992)
07. Say Anything ... (1989)
06. Play It Again, Sam (1972)
05. Office Space (1999)
04. Annie Hall (1977)
03. High Fidelity (2000)
02. The Wedding Singer (1998)
01. Better Off Dead (1985)

With John Cusack starring in three of my top seven, I think it's safe to say that he gets the reward for my favorite rom-com actor of all time. With probably Cary Grant, who has tons of movies on my list to still watch (I've mostly seen his wealth of Alfred Hitchcock output), not far behind in second place. Dianne Keaton has to be in first place among female actors.

What do you think I missed and what are your favorites?

Tuesday, March 12, 2019

My quotes in the Washington Post about Metro failing to promote itself

The Washington Post's Kery Murakami decided to dig deeply into data about growth patterns of people moving into spaces within a half mile from Metro stations throughout the DC region.

He contacted me (representing Arlington's Mobility Lab) because our expertise is on how important initiatives other than infrastructure are to the transportation choices that people make. Sure, running safe, reliable trains on time is really important, but it straddles the line between infrastructure and the education aspect we focus on.

In places like DC where the transportation grid has been built out about as much as possible, the only way to go is to win people's admiration and loyalty to various ways of moving around. The good news is that it can often be effective (if done well, which it often isn't), and it's a heck of a lot less expensive than building new highways and train stations.

Anyway, this is a good article, with excellent reporting and (I think) some pretty great quotes from me! :-)
But even though that meant 38,000 more people were living near a station, ridership didn’t grow. According to Metro’s figures, it fell. Weekday boardings in the District dropped by 13 percent between May 2011 and May 2018 — or by an average of about 57,000 boardings daily — while all those people were moving in around stations.
That was “absolutely” a lost opportunity, said Paul Mackie, research director of Mobility Lab, the research arm of Arlington County Commuter Services. “It doesn’t help that the SafeTrack repair program has led to a general decline in both service and loyalty to Metro,” he said. “But Metro needs to promote itself harder, especially in light of competition from other options like Uber, Lyft, carpooling, e-scooters, bikes and bikeshare, and the rise in teleworking.”
Mackie also said Metro hasn’t done enough to reach out to all the additional people moving in around stations. 
“There is a huge TransitScreen on the marquee at Gallery Place/Chinatown that lists when the next trains are leaving,” he noted. “Why aren’t those signs in every neighborhood and bar and restaurant and library and hotel promoting transit?"
I was also quoted in a separate Post article titled, Data shows areas near Metro stations remain havens for the rich.
“We’re seeing the rich get richer – in both wealth and quality of life – and low-income people having to keep fighting to stay afloat with everyday tasks – like getting to work or daycare,” said Paul Mackie, research director for Mobility Lab, an Arlington transportation research center funded by local and federal governments.

Saturday, March 9, 2019

Rush gets dissected on AXS TV's excellent Classic Albums show

I usually claim I cut the cord on cable TV because all I need it for is sports. That's only kind of true. Sling TV is a replacement for cable because it has ESPN and a bunch of sports channels, but it also has AXS TV. The music channel has a bunch of great shows, but Classic Albums is really hitting the sweet spot on the VHS rockumentary vibe.

The Frank Zappa show, like all of them, takes you behind the scenes for the making of the music. It's great, and convinced me I need to finally dig deeper on my Zappa collection beyond "Big Leg Emma" and the few others that I keep going back to.

But the Rush episode is the latest I watched. The show covers the self-titled first release with John Rutsey on drums pre-Neil Peart, and runs through Fly By Night and Caress of Steel before getting to the meat of the show, a focus on 2112 and Moving Pictures.

2112 is no doubt the most classic of Rush's albums, especially because it doesn't have a lacking moment anywhere throughout, unlike every other Rush album. Further, the Canadians may be rock's greatest sci-fi band of all time. Peart's lyrics were almost always based off science fiction, not least 2112 and its Ayn Rand fixation.

I wanted to rank Rush's albums here, but the aforementioned imperfections of nearly every album matched with the unfailing moments of pure brilliance on just about every release make that difficult. I'll just venture:

Classic Must Have
2112

Really Great
Rush (not as critically loved because it's Rutsey instead of Peart, but I love it)

Still Pretty Much Essential
Fly By Night
Permanent Waves
Moving Pictures

Sleeper Pick
Hold Your Fire (maybe because this was one of the tours I saw them on in the 1980s and I remember liking the "songs off the new album" almost as much as the classic numbers)

Definitely check out the series Classic Albums.

Friday, March 8, 2019

From high brow to low brow, from BlacKkKlansman to Fuller House

My pop-culture intake the past week or so has taken a deep dive from all the way at the top level of sophistication to the lowest depths of low-brow culture.

Luckily, it started and ended with a highlight that I'm not embarrassed to discuss. Shamed by having seen so few of the Academy Award-nominated best films, I was inspired to head to pay-per-view to see BlacKkKlansman. I intended to watch about half of the film late one night when I was already exhausted. But 2-plus hours later, the end credits were rolling and it had seemed like no time had gone by.

Before the Oscars, I was definitely hoping for big winning nights for Bradley Cooper and Lady Gaga in A Star is Born, but after seeing Klansman, I'm not so sure that it and other movies (can't wait to see Green Book and Bohemian Rhapsody) aren't at least as deserving of the top honors.

Upon reflection, I was actually a little embarrassed at how few Spike Lee joints I've seen. I loved Clockers, 25th Hour, and He Got Game. I truly can't remember if I've seen Do the Right Thing. So I'm putting that and 4 Little Girls, A Huey P. Newton Story, When the Levees Broke, She's Gotta Have It, and Malcolm X on my watch list. (Here's a good list of his top movies.) BlacKkKlansman is 5 out of 5 stars.

When you have kids, you have to watch things you wouldn't normally. My 11-year-old son and I watched Dodge Ball (I had already seen it once), which is mildly inappropriate. The Ben Stiller and Vince Vaughn love triangle and fitness competition starts the movie somewhat boringly but when the Dodge Ball competition kicks in, it really is pretty fun stuff for both adults and kids. 3.5 out of 5 stars.

Dipping lower into low brow is admitting that my kids love Fuller House on Netflix. I still have never seen an episode of Full House, but I have to admit this reboot is hilarious in an awful-acting sort of way. The whole thing reminds me of Three's Company. It might be more kid oriented than that classic 1980s show, but then again, I think I count about a dozen kisses every episode. These people love to kiss. I guess the Olsen twins were in the original. They're not in this one. All the characters are likable and, oh my god, when John Stamos occasionally appears - is he gorgeous or what? 1 out of 5 stars for production values and acting, but 4 out of 5 stars for pure entertainment value.

I took my pop-culture video diet back into the realm of sophistication by watching the odd yet critical-praised Call Me By Your Name. The movie is a bit slow, but it adds up to a powerful story by the end, especially when the father tells his son that his heart should remain strong and full of love and fondness for the affair he's carried on with an older man while the man stayed with their family for the summer in Northern Italy in the 1980s. Timothée Chalamet and Armie Hammer turn in weird but relaxed and realistic performances as the bin-men who fall in love. 3.5 out of 5 stars.

Friday, January 18, 2019

My favorite 82 music releases of 2018 - plus a few B-sides

Courtney Barnett keeps releasing some of the best indie rock
You can listen to all these albums at Google Play here.

Biggest Disappointments: After a very promising start to The Lemon Twigs' career, Go to School is like an infantile, bad knock-off of something relatively Elton John-like. And Death Cab for Cutie fails for the first time to make my annual list when it has a new release with the middle-of-the-road Thank You for Today. Greta Van Vleet's Anthem of the Peaceful Army is what you get when you're expecting high-flying Zeppelin and you get fly-attracting Zebra.

Best Archive Dig: The Beatles' White Album is, on most days, my favorite of the band's releases. The massive Super Deluxe might be too much even for a diehard like me, but The Esher Demos part of it is worth the price of admission alone.

Best EP: The Decemberists’ Down on the Knuckle is a great EP in a year short on the form.

82: Of Montreal: White is Relic/Irrealis Mood (this band gets weirder all the time but also keeps things hoppin’)
81: Yo La Tengo: There’s a Riot Going On (nowhere near the band’s heyday back in the 80s and 90s, with too much ambience and not enough pop, but still so many head and shoulders above most bands)
80: Papercuts: Parallel Universe Blues (a pretty, new-wave release from a San Francisco band that's been around for a while and I've finally now discovered)
79: Peter Bjorn and John: Darker Days (a bit of a surprising throwback to have the "Young Folks" stars in here with new music, but this is a pretty darn good album)
78: The Breeders: All Nerve (there's nothing here nearly as powerful as "Cannonball," but that's a tall order, and any new Breeders is always welcome)
77: Black Rebel Motorcycle Club: Wrong Creatures (while not necessarily standing out in the hard-rock band’s canon, BRMC albums are always good)
Even the old was new this year with this release by the obscure Glands
76: Free Cake for Every Creature: The Bluest Star (one of several big dropoffs on this list from a top new twee band in the land)
75: Redd Kross: Hot Issue (a long-lost 80s and 90s punk-pop band returns with a pretty darn interesting and good album)
74: Ian Sweet: Crush Crusher (another band in the Soccer Mommy and Snail Mail vein that brings great hooks all around)
73: Midland: On the Rocks (probably the best pure country album of the year, with at least two serious keepers in "Drinkin' Problem" and "Burn Out")
72: BRONCHO: Double Vanity (a big drop-off from the band's debut, but it's like getting another Jesus and the Mary Chain album, so that's good)
71: Dungen with Woods: Myths 003 (cinematographic prog for the modern era)
70: Tomo Nakayama: Pieces of Sky (cinematographic folk that came out of nowhere to hit me just right, again and again throughout the year)
69: Gruff Rhys: Babelsberg (a lazy Sunday-morning grower from a consistent indie-rock eccentric)
68: Matthew Sweet: Tomorrow's Daughter (my 11-year-old couldn't be convinced it wasn't a new Beatles record; his instincts are right, this is Girlfriend-era-like Sweet)
67: LowRay: Friends and the Fakers (why settle for Bon Jovi when you can have this soundalike band that has much better hooks and melody?)
Detroit brings a serious new rocker to the world in Anna Burch
66: Kurt Vile: Bottle It In (an extremely laid-back throwback to the 1970s Laurel Canyon sound)
65: Public Access T.V.: Street Safari (a throwback to a Strokes-like time of New York City power-pop innocence; not the band's best release, but extremely catchy nonetheless)
64: Nap Eyes: I'm Bad Now (if the whole album doesn't match the perfect pop leadoff track, "Every Time the Feeling," there are still enough Lou Reed-like hooks to make it all pretty enjoyable)
63: Smashing Pumpkins: Shiny and Oh So Bright, Vol. 1 ... (definitely feels a little icky having near-fully-reunited Pumpkins in a list at this late date, but there are a handful of top-notch 90s-style pop-rockers here)
62: Say Hi: Caterpillar Centipede (this band sounds like a poppy version of Tom Waits or maybe like the new Eels)
61: Chandra: Transportation (I don't think it's because I like talking about transportation; I think it's because I also like sassy, crisp Human League tech-pop)
60: Belle and Sebastian: How to Solve Our Human Problems Part 3 (the is the closest B&S have gotten to Burt Bacharach 70s swing pop, and it's a welcome edition to the band's monumental catalog)
59: Old Crow Medicine Show: Volunteer (this always-reliable band produces another great collection of the best bluegrass pop that you’ll find anywhere)
58: Titus Andronicus: A Productive Cough (a tipsy and jaunty ship of pop-punk-weirdo pirates sling relevant platitudes like "we're in for a real rough year" and "mass transit madness")
57: Ruler: Winning Star Champion (I know nothing about who or what this band is, but they bring an undeniable catchiness to every song)
56: Great Lakes: Dreaming Too Close to the Edge (I haven't thought much about these Elephant 6ers since the early 2000s, but this is beautiful country-tinged California-style pop)
55: Lucy Dacus: Historian (I wasn't crazy about her heavily-praised debut - including being named Magnet's #1 album of 2016 - but this followup is a different, much larger-feeling story)
Illuminati Hotties help make 2018 a seriously great year for women in rock
54: Alpaca Sports: From Paris With Love (you have to be in the right mood, but if that mood is super happy love songs like what Tweety Bird would likely sing, then this is your band)
53: David Byrne: American Utopia (it definitely doesn't compare with the best of the Talking Heads, but Byrne's commentary and beats are still worth lots of listens)
52: Art Brut: Wham! Bang! Pow! Let's Rock Out (this 2000s Brit band came back out of nowhere with an album title that pretty much sums it up)
51: Sarah Shook and the Disarmers: Years (not nearly as good as the band’s last stunner, but this is great honky-tonkin’ punk that not many do well)
50: Eels: The Deconstruction (having somewhat abandoned this band a handful of years ago, it was surprising to hear such a grand return to form on this diverse release, including the heartbreaking "Sweet Scorched Earth")
49: Dr. Dog: Critical Equation (a band that continues to surprise with awesome consistency; I doubt I would ever skip one of their Replacement-y tunes if it ever came up on a random shuffle of my library)
48: The Sea and Cake: Any Day (this is a slow grower from my favorite jazz-pop band of all time)
47: The Decemberists: I’ll Be Your Girl (providing countless singalongs to go with an already-overflowingly wealth of greatest hits throughout its discography, the Portland lit-rockers succeed yet again)
46: Camp Cope: How to Socialize & Make Friends (another entry into the Soccer Mommy/Snail Mail indie-rock sweepstakes, but undeniable Australian catchiness - and oh that accent)
45: The English Beat: Here We Go Love (would have never guessed these 80s ska-wavers would ever make another year-end list, but this feel-good set is just so so uplifting right now)
44: Colleeen Green: Casey's Tape/Harmontown Loops (this is yet another album of pure-pop mastery from Green, who had a great Twitter conversation this year with my workplace, Mobility Lab, about transit)
Kero Kero Bonito is some weird stuff but also kinda normal like Boy George
43: Nap Eyes: I'm Bad Now (Canadians that any fan of Velvet Underground and Destroyer will love. And what's not to love about either of those comparisons)
42: Buffalo Tom: Quiet and Peace (1990s power poppers add a much-appreciated new album to their stunning discography)
41: Son Volt: The Search (this 22-song epic is some of Jay Farrar’s best work since his Trace album and long-ago Uncle Tupelo releases with Jeff Tweedy)
40: Lily Allen: No Shame (I have always liked her rude pop, but at first I didn't like this. I started loving it on second and third listens)
39: Superchunk: What a Time to Be Alive (the true me masters are back with another album is leagues' superior to any of the competition)
38: Okkervil River: In the Rainbow Rain (epic storytelling like opener "Famous Tracheotomies" - who knew this info about Gary Coleman? - lend to another excellent release from OR)
37: Tracyanne Campbell and Danny: Tracyanne Campbell and Danny (a melancholy rocker 0 by Campbell's Camera Obscura standards - that is the year's dreamiest release)
36: Family of the Year: Goodbye Sunshine, Hello Nighttime (about as clean of a slate of beautiful pop music I heard this year)
35: Rolling Blackouts Coastal Fever: Hope Downs (sounding a little like an Australian new-wave Tom Petty, this band has real potential to go places)
34: Elise Davis: Cactus (a beautiful slide of the way country music is supposed to be made)
33: Parquet Courts: Wide Awake! (this is a little bit of a letdown from one of the consistently best outfits around, but there are enough highlights to keep it high on this list)
32: MGMT: Little Dark Age (back after a bit off an absence, this catchy release helps them take over for the Flaming Lips as king of the psych-pop bands)
31: Albert Hammond, Jr.: Francis Trouble (a pure joy blast of prime-era Strokes replica)
30: Paul Weller: True Meanings (the former leader of The Jam has been on a hot streak lately, with this suave release right up there among his best solo efforts)
29: Juliana Hatfield: Sings Olivia Newton-John (I loved ONJ as a kid, and I've loved JH as an adult. This is a beautiful mash up. If Juliana were a star in the 1970s, she would have starred in Grease)
28: The Longshot: Love is for Losers (Billie Joe Armstrong knows how to get the party started with this Green Day-like surprise release)
27: Mudhoney: Digital Garbage (this is a glorious return to the nasty early grunge days of Superfuzz Bigmuff and Piece of Cake)
All these years later, Ice Cube is just still so good
26: Fucked Up: Dose Your Dreams (this is the most sprawling and ambitious FU record to date, and it seems like it might be their classic)
25: Eleanor Friedberger: Rebound (she went from totally complicated with her Fiery Furnaces band to super accessible with her solo albums. This is slightly less accessible but perhaps all the more essential because of it)
24: Sunflower Bean: Twenty-two in Blue (these young indie rockers from NYC pump out blasts of loud and soft punk and pop that should make all fans of fast and slow very happy)
23: Bossie: Not Pictured (a long-lost 80s mall-rat soundtrack for today's Gen Z new wavers)
22: J Mascis: Elastic Days (it's a fool's errand to think the Dinosaur Jr. frontman will ever release any other music than the stellar kind found throughout this pretty release)
21: Snail Mail: Lush (this may be a tad bit of a letdown because her 2016 debut EP was so darn good, but it still portends a big future star)
20: Flasher: Constant Image (don't know about this band, but it's consistently catchy and probably the year's best shoegaze/psych-pop effort)
19: BRONCHO: Bad Behavior (these Oklahoma weirdos - are there any other kind of Oklahomans? - put together another ultra-bouncy collection of Beach Boys-influenced pop tunes)
18: Swearin': Fall Into the Sun (motley indie-pop related to Waxahatchee that offers boy-girl vocals in the vein of New Pornographers, Butterglory, and Superchunk)
17: Sneeze: Shhh! Sex Gang ... (definitely the least-known rag-tag band of indie-rock survivors on this list. Former Aussie members of The Lemonheads and Godstar make an epic rock-'n-roll soundtrack)
16: Jeff Tweedy: WARM (this is not necessarily near the top of the Tweedy/Wilco/Uncle Tupelo cannon, but the handful of songs like "I Know What It's Like" - straight from Tupelo circa 1993 - make it a warm addition anyway)
15: Ice Cube: Everythang's Corrupt (he's been around forever, but everything he does I continue to love. Cube may have finally bumped himself into the position of my favorite rapper of all time)
14: Tony Molina: Kill the Lights (a gentle little lo-fi release that is the best non-GBV-related GBV-like release of the year - particularly in a Tobin Sprout way)
13: Kero Kero Bonito: Time 'n' Place (this is the best 80s-throwback weirdo pop I've heard in a while. File between Culture Club and Shonen Knife)
12: The Goon Sax: We're Not Talking (this is an 80s wave throwback group that bounces between mopey lo-fi and seriously rocking. The latter parts make it a candidate for dance album of the year)
11: Paul McCartney: Egypt Station (Sir Paul is up to a lot of ageless shenanigans in his senior years, and this might be the album of the year if he had chopped the last 5 or 6 songs from the end)
10: illuminati hotties: Kiss Yr Frenemies (the debut cattle call from a creative wackjob band of twee Millennials)
Jeff Tweedy of Wilco keeps releasing about the best rock out there
09: Hinds: I Don’t Run (there is no sophomore slump here with possibly Spain’s greatest-ever indie -rock band)
08: Hatchie: Sugar & Spice (this is the best EP of the year, with every song from the Australian songstress topping the Cranberries by miles in terms of spaciness and rocking hits)
07: Superorganism: Superorganism (the debate from this mysterious collective is a real growing, sounding like a mix of the Flaming Lips, Polyphonic Spree, and something quirky and new altogether)
06: Soccer Mommy: Clean (this artist's debut was high on my list for 2017; let's hope she, along with Courtney Barnett, are the beginning of a wave of lo-fi, ultra-cool female indie artists)
05: Stephen Malkmus and the Jicks: Sparkle Hard (this is a complex pop album from Pavement's former leader; he's been making the most interesting music in rock now for going on 30 years)
04: Anna Burch: Quit the Curse (There is a lot to love about this album, including it sounds a lot in places like my old 90s band Birmingham Squadron)
03: Car Seat Headrest: Twin Fantasy (this is a remake of an earlier album, which just goes to show how good this band is - if its record can be so high on the list with "a remake of an earlier album")
02: The Glands: Double Coda (this is a shockingly great collection of previously-unreleased "catchy yet complicated" pop from a short-lived band from the 1990s that I'd never heard about until now. The leader of the band actually died in 2016. New enough to me to make this list)
01 (tie): Courtney Barnett: Tell Me How You really Feel (there just really isn't any competition for the top spot year after year at this point. Her third album keeps the indie-rock party rolling right along. Like the Breeders meets Pavement meets something that is entirely her own)
01 (tie): However, I'm issuing a shocking tie at the top. Bradley Cooper and Lady Gaga: A Star is Born soundtrack (I cried way too many times during this movie to not acknowledge the greatness of these songs. Not a Gaga fan, this is the best stuff of her career by faaaaar, and Cooper is a natural sounding like an upgrade from greats like Kris Kristofferson and Neil Diamond)

Thursday, January 17, 2019

My reflections on TransportationCamp

This article originally appeared at MobilityLab.org.

Which topics trended at TransportationCamp DC this year?

Last Saturday at Catholic University, about 520 fans of transportation braved the cold to dig into the weeds on topics and burning questions that they wanted to workshop and take back in 2019 to further solve.

Which topics were popular?

At TransportationCamp DC a year ago, Campers’ favorite modes to discuss were bikes and trains, with busses and walking next. There was a surprising lack of interest in autonomous vehicles, ride-hailing, and ride sharing.
But, from my back-of-the-envelope calculation based on the session titles (all listed here, and with full notes of most sessions), this year was pretty different. Of the 56 sessions throughout the day, 5 were primarily focused on scooters – which definitely proved to be in most of the day’s conversational thread. As far as modes, busses were the next popular with 3 sessions. Bikes dropped down to 1, airplanes 1, carpools and vanpools 1, and transit in general with 1. Unlike last year, there were no sessions focused primarily on rail. And AVs, which were less the talk of the town last year, seemed to bump up in interest, with 3 sessions.
Outside of mode, the popular topics were definitely data (9 sessions), planning (6), equity (3), policy, such as a session I moderated with Washington, DC’s Transportation Director Jeff Marootian, nicely covered here by Greater Greater Washington (3), and the public (7). Many people told me they loved the behavior-economics bent – trying to understand how people make their fundamental transportation decisions – of many of the sessions, especially the kind offered in a featured session in the Hannan auditorium by Duke Professor Maura Farver. (She also works at The Center for Advanced Hindsight.) Farver’s session was titled, “Your blueprint for mapping people’s transportation behavior and habits.”
And data appears to finally be having its day in the sun. After years of knowing that the transportation industry has mega-loads of data, it may now actually be doing something with that data. TransitCenter, one of Camp’s sponsors, was in the midst of releasing its Open Transit Data Toolkit, which helps even the least tech-nerdy people figure out how to analyze where and how people are traveling. And TransitScreen, another sponsor, announced that it’s working with OpenMobilityData to archive transit data feeds from cities all over the world as a way to help software developers make cool tech that will help people discover transit.
There were a handful of topics that had 2 sessions, including: partnerships, the environment/traffic congestion, transit cost and payment options, safety, and “fun” – meaning there was a session to play the planning card game Cards Against Urbanity and another for yoga.
The other topics that got just 1 session included parking, rural issues, and communications (down a bit in focus from previous DC Camps).

A handful of key insights from the Camp’s notetakers

One highly provocative session questioned whether there should be bike lanes at all in our streets. Session leader Mark Egge noted that infrastructure money is scarce, there are unclear safety benefits, they supposedly don’t attract new riders, and they’re often poorly planned.
Session leaders from the Central Maryland Transportation Alliance discussed the need for a “transportation report card, like that produced on the state of the Chesapeake Bay. Some metrics suggested for such a report card included convenience, seat utilization, FHWA and INRIX congestion data, satisfaction levels, access during “free flow” versus congestion (Minnesota Accessibility Observatory), cost, and safety.
Do you know what could fit in a 22 x 10 parking space? 75 people standing! That and other amazing tidbits and lists were discussed in a session titled Curb Appeal on what to do with our curbs.
Some of the solutions for scooters and bikeshares discussed in a session on broadening the user base focused on giving more access to teenagers and forming partnerships with high schools.
Among the bad habits that started to break in 2018 were the smugness of experts in thinking the public will instinctively adore autonomous vehicles, not demanding enough from transit data, and not realizing that cities need mobility managers. Those were in the featured session that included Calvin Thigpen of Lime, Tiffany Chu of Remix, Katherine Kortum of the National Academies, and Laramie Bowron of Swiftly.
And projects we should be excited about in 2019 include shipment tracking via SafeShift; Ford’s City of Tomorrow; pilots to find new and interesting uses for curbs; the public-private data clearinghouse called SharedStreets; Zipcar’s carsharing partnerships in New York City; equity-based decongestion pricing policy; the Alaskan Way Viaduct in Seattle; and Streetlight Data for pedestrian, bike and transit flows. Those predictions came from featured panelists Chris Forinash of Nelson\Nygaard, Sabrina Sussman of Zipcar, Allison Wylie of Uber, and Courtney Ehrlichman of The Ehrichman Group.

Other perspectives

We’ll know a lot more after next week’s post-Camp survey goes out to attendees, but thought you all might like this early, and, as I mentioned, back-of-the-envelope content analysis. Along with our own coverage of TransportationCamp, TransitScreen and Street Justice also had some perspectives.

And a big thanks

From our venue Catholic University to Arlington County’s staff (largely consisting of Mobility Lab’s close partners at the Destination Sales & Marketing Group) to the note-taking volunteers provided by Young Professionals in Transportation and the student discounts courtesy of the American Association of State Highway and Transportation Officials (AASHTO), we thank you.
And to Andrew Glass Hastings of sponsor Remix, who helped lead The Human Spectrogram exercise (look for more analysis and dissection on that soon) and sponsor Zipcar, whose Sabrina Sussman helped us secure Marootian for a featured session (her story about how everyone needs to tell their stories about why they care about transportation may have been the event’s highlight), we thank you.
And to Leib Kaminsky, who helped Mobility Lab (remember, we’re researchers and communicators, not event planners) secure our best-ever group of sponsors, we thank you. And we thank the sponsors themselves: Uber, Zipcar, TransitCenter, Lime, Lyft, car2go, Remix, Bird, Noblis, the American Public Transportation Association (APTA), Swiftly, the Washington Area Bicyclist Association (WABA), Young Professionals in Transportation, TransitScreen, the American Bus Association (ABA), Kimley-Horn, the American Association of State Highway and Transportation Officials (AASHTO), and Nelson\Nygaard.
And last and most important, thank you to all the attendees. We think you’re taking transportation to another level!
Photos of me on stage as master of ceremonies, Campers brainstorming, and Campers discussing which sessions to attend at “The Board” all by M.V. Jantzen/Flickr.

Sunday, December 30, 2018

Three Billboards blows away the other movies I saw this month

Three Billboards Outside Ebbing, Missouri: This Coen Brothers’ masterpiece had been in my queue for far too long. Finally I got ahold of a copy and watched it at 2 a.m. one night. Woody Harrelson and Frances McDormand, not to mention Sam Rockwell, deserves all the award love they received last year for what is probably the filmmaking duo's best effort since The Big Lebowski (Rented from library; 5 out of 5 stars)

Mary Poppins Returns: The original had lots of memorable tunes, but I’m not sure I’ll remember any of these new numbers for long. The performances by Emily Blunt and Lin-Manuel Miranda are admirable, and there’s a lot of great cinematography, but there’s not nearly enough of a story. (At the movies; 3.5 out of 5 stars)

The Florida Project: I’m pretty much a sucker for anything Willem Dafoe is in. But he’s not really the main focus here. He gets you in the door, but then a bunch of unknown actors play the roles of trailer trash living in a forgotten landscape on the outskirts of Disney World. It's a pretty fascinating look at a way of life, if a bit of an aimless plot. (Rented from library; 3 out of 5 stars)

It Follows: Great music highlights this fairly middling horror flick that tells the story of a girl battling a multi-faced ghost that chases down people who have had sex with her and a string of other unlucky souls. An ok premise but slow pacing doesn’t add to what should be a more suspenseful story. (Netflix; 2.5 out of 5 stars)

Dumplin’: I guess I randomly picked this stinker because I like Jennifer Aniston a lot. This is her worst performance. There are lots of good morals to the story and, as my wife reminds me, "this was not made for a 48-year-old male," but that still doesn’t make up for the deplorable script and bad acting. (Netflix; 1 out of 5 stars)