Thursday, April 16, 2015
One of the most monumental days not just in baseball history, but in all of American history. Jackie Robinson made his Major League debut for the Brooklyn Dodgers.
And so I finally watched 42, the 2013 film that brings his rookie season to life. Unknown actor Chadwick Boseman gets his big break and plays the star who not only became the first black man in the league but also went on to play in six World Series - winning one, in 1955. Boseman is likable and was the right choice. Harrison Ford is also exceptional as Branch Rickey, the Dodgers' owner who was determined to do the right thing for society and baseball.
Some of the most powerful scenes include when Philadelphia Phillies manger Ben Chapman yells terrible obscenities from the dugout as Robinson stands in the batters box, teammate Pee Wee Reese's transition to being on Jackie's side, and some of the behind-the-scenes dealing of Rickey and others to make Robinson happen at that time.
There are several inaccuracies to make 42 a little more dramatic. But overall, this look at one slice (the biggest slice) of Robinson's career is depicted very well. It's a crucial story to be told and retold and 42 serves it well.
**** out of ***** stars
Friday, April 10, 2015
Bike commuting slipped slightly in Valley, but advocates are hopeful
Saturday, April 4, 2015
We arrived yesterday and are staying with Rachel's sister's family and her parents in a rented house with a pool and orange and grapefruit trees. I've already squeezed about 20 fresh fruits for juice.
The last time I was in Arizona was in January 2000, when my St. Louis Rams won their only Super Bowl. I remember watching them take down the Tennessee Titans at the last minute 23-16.
Rachel's grandmother lives in a place called The Racquet Club, which is perfect since I love playing tennis. I played pickleball this morning (a cross of tennis and ping pong played on a tennis court) with Rachel's dad and have already found several people to play pickup tennis with for the week. Then came back for a swim.
Sunday, March 29, 2015
Funny Farm: This is a relatively terrible Chevy Chase flick from 1988, the downside of a time when he was arguably the funniest movie-comedian in America. Gene Siskel once called it Chase's funniest film, a serious stretch for one that has a few laughs but is pretty badly dated by now. I had never seen it. Must have been going to too many Boston and AC/DC concerts that year.
**1/2 out of ***** stars
Dazed and Confused: After my favorite movie of 2014, Boyhood, I had to go back and watch Richard Linklater's other great Texas epic. This one was named Quentin Tarantino's 10th favorite film of all time for good reason. Beyond star-cameos galore, this view of high-school life in Austin captures the ethos of an entire generation of kids growing up in the 1970s and 1980s.
***** out of ***** stars
Pee-Wee's Big Adventure: I somehow never saw this, although I recognized the numerous catchphrases that still hold strong today ("I know you are but what am I?"). It's pretty funny and even educational stuff, and, as my 7-year-old said, "Pee-Wee makes funny faces."
**** out of ***** stars
The Man With Two Brains: Steve Martin comes nowhere close to The Jerk or Dead Men Don't Wear Plaid in this completely wacky script. Playing a neurosurgeon with an unpronounceable name (in the grand tradition of Chase's Fletch), Martin is nevertheless still funny and this one is still worth watching.
***1/2 out of ***** stars
An Affair to Remember: Cary Grant and Deborah Kerr star in this exceedingly romantic film, which suffers just a bit because Grant's typical comedic touches are largely missing. Instead, he is very George Clooney, meaning suave and very handsome, as he becomes friends on a passenger ship with Kerr between Europe and New York before slowly falling in love even amidst some traumatic setbacks.
***1/2 out of ***** stars
The Object of My Affection: The acting talents of Jennifer Aniston and Paul Rudd are pretty raw in this 1998 film. But it's entertaining enough and is pretty important in bringing societal acceptability of gay relationships to a more mass audience.
*** out of ***** stars
Monday, March 9, 2015
As part of my ongoing series of highlights from my expansive personal rock'n roll library:
It's pretty cool that music-journalist Jim DeRogatis' Staring At Sound: The True Story of Oklahoma's Fabulous Flaming Lips opens on New Year's Eve 2004 when the band played Madison Square Garden with Sleater Kinney and Wilco. Because I was there too.
A teamster working backstage said he had never seen anything like the display the Lips put on that night, which included a giant inflatable sun, clouds of smoke, a barrage of lights and video, and a non-stop New Year's rain of confetti.
It was a long way from where leading Lip Wayne Coyne had come from since the 11-year stretch years ago he spent as a fry cook at a fast-food fish restaurant.
Turns out, Coyne grew up with five siblings and, when he was less than one-years-old, his family up and moved from Pittsburgh to Oklahoma City. When he was nine, his dad was accused of embezzling funds from his business, but was acquitted. Nevertheless, it was a trying time in the Coyne family history.
Organized sports in high school didn't really suit Coyne. Instead, he and his brothers and their friends formed to sandlot football team called the fearless freaks, a name that would later be associated with some of the Lips' musical output, some of which is my very favorite psychedelic pop ever produced. Anyway, Coyne says they would listen to Pink Floyd, smoke a joint, and then go play sandlot football.
Beginning his sophomore year, he worked as a fry cook at Long John Silver, which Coyne actually credits as being pretty productive in that it helped him think about his life. Although he has never done that many drugs, he did sell pot while he worked at Long John Silvers.
Next up: a look at part of the early years of the Velvet Underground.
Friday, March 6, 2015
- Honorable Mention: The Whigs - Modern Creation: This isn't the best release by this band, but I still like their Athens style of garage rock. Foxygen - ... And Star Power: Still one of my very favorite new bands, but this release tips the scale way too much towards the "psych" instead of the the "pop." An unfortunate misstep.
- 40. Band of Horses - Live at Ryman: Live and still beautiful.
- 39. Pixies - Indie Cindy: Some catchy numbers are scattered throughout, but this should be higher on the list as a comeback release with so much anticipation.
- 38. Broken Bells - After the Disco: Groovy little understated dance jammer.
- 37. Taylor Swift - 1989: This has a couple of the most catchy tracks of the year on it, with it's main drawback that Swift sounds a little samey over much of this long-player.
- 36. Bob Mould - Beauty & Ruin: Another high-quality solo effort that shifts effortlessly from rock of Husker Du to power-pop of Sugar.
- 35. J. Mascis - Tied to a Star: Think of Dinosaur Jr. in quiet mode and that's what this solo release is all about. Great for background and would be higher if it didn't feel like Mascis has kind of already done this.
- 34. The Both - The Both: It's really hard to argue against a partnership of songs by Ted Leo and Aimee Mann.
- 33. Tom Petty and the Heartbreakers - Hypnotic Eye: If you like TP, there is absolutely nothing wrong with this collection, which only suffers from having no clear-cut mega-hits.
- 32. Cheetahs - Cheatahs: Like the second (or third) coming of early Dinosaur Jr./My Bloody Valentine. Wailing guitar pop. Picking up where Yuck started the 1990s indie-noise-rock revival of a few years ago.
- 31. The Pains of Being Pure at Heart - Days of Abandon: Not as good as their earlier albums all the way through, but some of the perfect rainy, Sunday-morning tunes at the start make it a keeper.
- 30. JEFF the Brotherhood - Dig the Classics EP: This two-piece is really good at recording pop, punk, metal tracks, even if this collection is just a bunch of covers.
- 29. Fugazi - First Demo: This gem is not a lot different than the eventual final products, but to have heard this lively and great-sounding demo must have blown the minds of all who heard it firsthand.
- 28. The Hold Steady - Teeth Dreams: This might be the best HS release for simply putting on in the background and enjoying and grooving with all the way through.
- 27. Against Me! - Transgender Dysphoria Blues: The amazing story behind this band and its transgender lead singer plays out in full punk glory throughout this disc.
- 26. Sweet Apple - The Golden Age of Glitter: GBV meets Cobra Verde ... literally. And it sounds like it. Lead-off track "Wish You Could Stay (A Little Longer)" is one of the best pop-rockers of the year.
- 25. Dean Wareham - Dean Wareham: In solo name only, this mellow release feels every bit as good as if it were a new Luna offering.
- 24. Drive-By Truckers - English Oceans: After a few less-interesting albums, these alt-country shit-kickers make a great set of stompers and ballads.
- 23. Stars - No One Is Lost: A bouncy soul-pop album that is probably the most dance-y thing on this list.
- 22. Bishop Allen - Lights Out: This band continues to offer pleasant pop with a few standouts that could be big hits in a fair musical landscape.
- 21. Parquet Courts - Sunbathing Animal/Content Nausea: Carrying the torch of Lou Reed and The Strokes. Rocking the NYC streets.
- 20. Cymbals Eat Guitars - Lose: This is the best emo record of the past several years, and even descends into Archers of Loaf, psychedelic territory at times. A real surprise.
- 19. Comet Gain - Paperback Ghosts: British indie rockers who go from Syd Barrett psych to beautiful Bell and Sebastian-like pop. The melodies really pick up in the second half.
- 18. Jenny Lewis - The Voyager: Stevie Nicks for a new generation, this album by a former child TV star and Rilo Kiley leader is a Laurel Canyon, laid-back delight all the way through.
- 17. The New Mendicants - Into the Lime: Joe Pernice and Norman Blake of Teenage Fanclub lead this new supergroup. It sounds just like what you would imagine, which is perfect.
- 16. Nude Beach - 77: Tom Petty for a new generation, and one of my very favorite bands these days.
- 15. The Vaselines - V For Vaselines: A second comeback album from one of Kurt Cobain's favorite bands continues to display how this band has basically never released a less-than-very-good song.
- 14. Guided By Voices - Cool Planet: I don't care how many albums they've released. This is still better than 99% of the stuff out there. And possibly their last ever.
- 13. Guided By Voices - Watch Me Jumpstart: Ditto. And possibly their second-to-last ever.
- 12. Doug Gillard - Parade On: Three-in-a-row GBV-related releases. Former guitarist is a masterful power popper in his own right.
- 11. Miniature Tigers - Cruel Runnings: This one took me by surprise. I've liked the Tigers for years, but this is a different kind of dance-pop joy (all about a breakup) from them.
- 10. Bart Davenport - Physical World: This pop troubadour has been putting out great albums for more than a decade, with this slow grower verging into of Montreal and Ariel Pink meets 70s soft rock.
- 09. Pink Mountaintops - Get Back: Punk classic-rockers continue their under appreciated run of great albums, this time with actual J. Mascis solos sprinkled liberally.
- 08. King Tuff - Black Moon Spell: Chorus to song called "Headbanger:" "Bang a little head." Nuff said.
- 07. Stephen Malkmus & The Jicks - Wigout At Jagbags: Even with a seemingly lesser Malkmus release, this one has enough weirdo detours and pop classics to chart pretty high on this list.
- 06. Spoon - They Want My Soul: Typically great-all-the-way through Spoon record, spanning weirdo to mellow to rocking to good-mood, this is one of my favorite Spoon releases, which is saying a lot.
- 05. New Pornographers - Brill Bruisers: Yet another near-perfect album from this supergroup. Leader A.C. Newman divvies out the song-writing credits nicely to his compatriots.
- 04. Beck - Morning Phase: It's kind of no fair for all these other artists in these year-end lists whenever Beck decides to issue a release in a given year. Some complained that this was Sea Change Part 2. If that's the complaint, I hope 2015 brings Sea Change Part 3.
- 03. Lydia Loveless - Somewhere Else: By far the best alt-country release of the year. Her third release puts her amongst the Ohio greats like Guided By Voices and The Pretenders.
- 02. FREEMAN - Freeman: One-half of Ween returns with a new project that might just be the best thing Ween never released. Weird and beautiful pleasures.
- 01. Ex Hex - Rips: I've always been a fan of leader Mary Timony, but nothing prepared me for how absolutely enjoyable this album is. It almost renders all other power pop punk before it unnecessary.
Saturday, February 21, 2015
To those who have seen the Roundhouse Theater in Bethesda's current production of Rapture, Blister, Burn, it should be no surprise that writer Gina Gionfriddo has written TV episodes of House of Cards, Cold Case, and Law & Order.
This is one of the snappiest plays around, featuring exceptional comic timing from all five actors, who deliver the most fun I've ever had with feminism.
The play, which ends this weekend, offers a compellingly told crash course in feminism, mainly featuring Betty Friedan and Phyllis Schlafly. Michelle Six's Catherine has returned from her feminist-studies book-speaking circuit to visit college pals Gwen (Beth Hylton) and Don (Tim Getman), whose marriage has grown unexciting.
At first, it seems Don, played by Getman with a mix of Homer Simpson and Bill Murray, will surely have an affair with babysitter Avery (Maggie Erwin), but that is not who he has an affair with at all. He gets tossed between his wife and Catherine like a rag doll. This is a nice touch, putting the lone man in the downtrodden and abused position previously and traditionally held by women.
Sticking around, Catherine offers a class that is only attended by Gwen and Avery. Because of the low turn-out, she decides to hold it at the home of her mother (Helen Hedman), who provides the martinis to juice up the hilarious inter-generational conversations relating horror movies, porn, internet dating, and much more to feminism.
By the end, the older generation is "hooking up" and the younger generation is longing for a balanced career and family life.
This is a brilliant play, and playwrights would be wise to follow Gionfriddo's style of mixing well-told historical background with deeply explored and empathic fictional characters.
***** out of ***** stars