increasingly disenchanted with the company's choices of productions.
That said, the acting has never been a particular problem. And now that Woolly has a script to match the talent of its performers, we may be back onto something: hopefully the best contemporary theater in Washington D.C.
Detroit roared into town promising a timely statement on our economically-depleted and culturally bereft country, where we can't get healthcare, global warming, education, or any number of essentials right. And much like the end-times fiction of Tom Perrotta, it delivers.
Newest Woolly members (and good friends) Tim Getman and Gabriela Fernandez-Coffey play people married to other spouses. Tim is part of the couple Mary and Ben, who have agreed to a situation where Mary is the breadwinner while laid-off Ben gets his website up and running for his new idea of a company. It appears the darkest thing about them is Mary's propensity to drink a little too much.
Gabriela plays the female in Sharon and Kenny, the wild couple that has moved in next door. She really steals the show with her emotionally-charged and looney treasties of life and how to live it. She is simply floored that she and Kenny are getting to know their neighbors, for instance.
The Woolly is taken over for this show by a BBQ grill and cornhole in the lobby, a totally different stage setup, and loud and large set production. The show, as it reaches a crescendo by its finale, is equally boisterous.
Thankfully, it appears the old Woolly may be back. Don't miss Detroit.
****1/2 out of ***** stars
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